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Movie Notes: The Man With The Golden Gun

Started by webomatica · 10 months ago

The Man With The Golden Gun, starring Roger Moore as Bond, starts off lame (possibly the worst Bond theme I've ever heard), but gets better as it goes along. ... Continue reading »

3 comments

  • The Man with the Golden Gun was one of my favorite Roger Moore's because it was filmed in Thailand and I've been to Thailand. I also liked Christopher Lee being the bond villian. The third nipple, that was stupid. The movie was great, the scenery was great, the plot was a bit off at some points.
  • True, the Thailand scenery is very appealing. I think is now a tourist attraction?

    I can understand why having been to the location makes you like a film better. I found A View To A Kill more interesting because it partly takes place in San Francisco, where I work. And then a lot of people think that is one of the worst Bond films ever.

    Thanks for visiting and commenting!
  • Oh dear. This really is where everything went undeniably pear-shaped for the Bond movie franchise. Ham-fisted direction (that cutesy pennywhistle soundtrack for the bridge jump, for instance), two oddly unappealing Bond Girls, and a badly miscast villain (Christopher Lee just wanders around on 'looming menace' autopilot, phoning it in all the way. He plays his makeout clinch/grope-scenes like a bored physician conducting an examination). Moreover, the entire production boasted a cast with a conspicuous lack of chemistry, and the over-familiar 'mad scientist with secret hideout and super weapon' plot was strictly 1966 bond parody. Scaramanga's 'psychedelic shooting range' was pure Batman, and Herve Villechaize (behold, a strange, mysterious dwarf! Lazy casting shorthand since whenever for an automatically 'exotic, weird, slightly sinister' henchman) with his annoyingly affected 'wind-up toy' walk was a whacky swingin' Sixties trope too far (wasn't there a guy like that in Patrick McGoohan's 1967 TV show 'The Prisoner'?). The Eastern locale is squandered by a stupidly racist script (oh yeah, big, white Bond can beat up any and all trained martial arts types), and the Southern baccy-chawin' Good 'Ol Boy light relief was similarly overplayed and odious. In short, this was actually a mid-1960s Bond parody movie made half a decade too late. By the release of The Man With The Golden Gun, James Bond had gone from inspiring Derek Flint to becoming him.

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